

| “That’s the whole point: robots make good toys.” |
If only the Jetsons were real, and I could robotosize. Imagine, an assistant who never took lunch breaks, never slept, never talked back. It would revolutionize Hollywood. Maybe this make-believe is catching, because Hollywood is also going to the robots.
“They’re rethinking Metropolis and all that,” followed up an editor I know. “Robots as people. People as robots. ‘Metaland’ is one — that’s gonna be very interesting. The ‘Terminator’ movies were the kernel for some of this, but taken to the nth degree. In ‘Blade Runner’ the artificial creations couldn’t be told from the humans, but now, what if there never were any humans and we all are machines?”
“Cross-fertilization is key, too,” continued an executive friend who deigned to have breakfast with me and talk about the subject. “Take a look at Tomy’s iSobot and the newest, even smaller mini-bots ... less than one-and-a-half inches tall. They play soccer and everything. Two different production companies are already bidding on the rights to those things. Japan is always in the lead for robots.”
Robot actors? “CGI is the perfect medium for the new wave of robot movies,” a special effects animator pal volunteered, going through my cupboards for something to eat. “Humans are tough, but robots are easy. I’m working on a movie where EVERYTHING is robotic: cars, refrigerators, can openers. ‘WALL-E’ barely scratched the surface. ‘Dark Eyes,’ ‘The Steel Hand,’ ‘Metal Thoughts.’ Two, three years, it’s gonna be nothing but robots, androids and metal monstrosities. Trust me. Very, very cool stuff coming down the pipe. Kids and adults are going to want them for their own. And there’re going to be toys like mad. Some that are robotic themselves.”
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